Автор Тема: Gibson LES PAUL HERITAGE 80 STANDARD - вопрос к спецам  (Прочитано 1369 раз)

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Оффлайн pkabanov Автор темы

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http://www.route66classicguitars.com/heritage80.html

Кто что может сказать об этих гитарах. Насколько они хороши, какие у них особенности и какая цена будет приемлема для такого инструмента?

Оффлайн Forester1992

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Re: Gibson LES PAUL HERITAGE 80 STANDARD - вопрос к спецам
« Ответ #1 : Ноября 07, 2007, 14:49:30 »

Так как же распознать подделку гибсона  ???

Оффлайн Shade

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Re: Gibson LES PAUL HERITAGE 80 STANDARD - вопрос к спецам
« Ответ #2 : Ноября 07, 2007, 15:27:49 »
ниразу неслышал и не видел такие,может и развод лохов
а свиду все как на гипсане по честному, ток крышка анкера ужос полный
может их типа временно делали как гипсан уехал с фабрики херитэйж)
« Последнее редактирование: Ноября 07, 2007, 15:32:23 от Shade »

Оффлайн pkabanov Автор темы

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Re: Gibson LES PAUL HERITAGE 80 STANDARD - вопрос к спецам
« Ответ #3 : Ноября 07, 2007, 15:56:27 »
Вот что удалось найти. Судя по фоткам аналогичных инструментов с надписью все ОК


With the exception of a few Kalamazoo-built prototypes or “one offs” in circulation, all Heritage 80's were made in the Nashville plant between 1980 and 1982. These LPs have a unique sharp and wide cutaway at the horn, Grover kidney tuners, and an eight digit serial number with four digit second number beneath it.

There does not appear to be any pattern to the second four digit number – it was used for marketing reasons to distinguish these guitars as limited editions by Bruce Bolen, then head of R&D. They have a unique headstock shape. They are generally on the heavy side (high 9's to high 10 lbs.), have the thin binding in cutaway, small black side dot markers, and a Nashville bridge. The back plates for the control cavity and switch are brown. The Gibson logo on the headstock has a closed “b” and “o” and a dot over the “i”. The necks on these guitars are of medium thickness. While not as close in terms of vintage specifications to the Guitar Trader and Leo's LP models, they are well regarded guitars by many players and collectors and have excellent fit, finish, tone, and playability. Tim Shaw of Gibson at the time designed reissue PAFs for them which sound very good and have come to be known as "Shaw PAFs" in the collector community. The pickups are one double white and one zebra under the covers. The truss rod covers are inscribed with the model names.
            
1. The Heritage Series Standard 80 has a three piece neck and rosewood fretboard. Some came with rather plain tops and others have moderate flame. There are a few examples with one piece necks and ebony fretboards, which indicates that Elite necks were used during parts shortages. The example in this article has a very deep flame. Colors were dark cherry sunburst or honeyburst. The truss rod cover is inscribed with “Heritage Series Standard 80”. The example in this article weighs 10 lbs. 10 oz. It has an exquisite curly flame top.   
2. The Heritage Series Standard 80 Elite has a one piece neck, ebony fretboard, and a quilted top. Most came in honeyburst but some were also made in cherry sunburst. The truss rod cover is inscribed with “Heritage Series Standard 80 Elite”. The two examples in this article are at opposite ends of the weight scale, one being 9 lbs. 3 oz., the other being 10 lbs. 8 oz.
            
            
3. The Heritage Series Award has a plaque on the back of the headstock with a number from 1 through approximately 50 (only approximately 50 of these guitars were made for dealers who sold a lot of Heritage models), cherry sunburst, ebony board, flame top, and gold hardware. The truss rod cover is inscribed with “Heritage Award”. The example in this article weighs 9 lbs. 4 oz.