Вот, наткнулся на такой текстик на форуме
http://www.peregruz.com . Думаю, многих это заинтересует.
ABOUT TONE
1. Of course Eddie's brown sound- Van Halen I. Marshall at it's greatest. Volumes have been written on how Eddie achieved this tone, somehow he must have forgotten how to get it.
2. George Lynch- early Dokken. Killer chunky frying rhythm, and singing huge leads. Big secret to his lead sound is 300 milliseconds of delay at about 35% saturation. It kicks in and reinforces the notes making them sound huge. Early albums were recorded with a Lee Jackson modded Marshall, later he used a Soldano SLO100. He used Seymour Duncan Distortion pickups.
3.Nuno Bettencourt- Extreme I and Pornographitti. Basically an updated 'brown sound'. Very heavy but still expressive. ADA MP-1 with a Bill Lawrence 500 pickup.
4.Paul Gilbert- Racer X 'Second Heat' esp. the song 'Heart of a Lion' another ADA MP-1 and Metaltronix amps (Lee Jackson built). Those things used to rule!
5.Sepultura- Arise. They are famous for using Mesa Triaxis preamps, but for this album (recorded here in Tampa at Morrisound) it was a Marshall with a few things I'm still investigating.
6.Malevolent Creation- Envenomed. Les Paul EMG-81 into a Boss Metal Zone (for E.Q. only) then into a Mesa Dual Rectifier. Equally my favorite, and very similiar in tone is Cannibal Corpse- Gallery of Suicide. EMG 707 into a Metal Zone (for E.Q. and a touch more gain/distortion boost) then into a Mesa Triple Rectifier. Both huge, brutal, loose, EVIL Sounds!
7.Monstrosity- In Dark Purity- EMG-81 into a Boss Metal Zone into a Marshall 900 head. Here's the trick- plug the Zone into the 'Return' jack of the effects loop, it bypasses the preamp and you get power-amp tube distorted Zone! Awesome tight grind needed for intricate, fast, ultra-heavy, monsterous music.
8.Entombed-Left Hand Path. The beginnings of the famous Gothenburg Sunlight Studios Swede sound still used (but refined a little) by bands like In Flames, At the Gates, etc. The tone is 'created' in the studio, but live it is recreated with an old Boss Heavy Metal pedal. Newer bands are using Peavey 5150 amps also.
9.Celtic Frost/Obituary- Basically the same sound. Obituary's tone is created with a Marshall and the old original Rat pedal (it has no red L.E.D. and it has the words "Pro Co" next to the word "Rat" not "The Rat". The tone knob on the guitar is also turned all the way off to create the 'below the grave' type sound. Tom Warrior used Marshalls and an old original Ibanez Tube Screamer pedal in the Frost days. Trey of Morbid Angel uses a similiar set-up, with the old rackmount twin Rat being the heart of his rack, but he has come up with his own original tone very different from Frost/Obituary using PAFpro pickups, a Boss 7 band E.Q. (set flat with +12dbl level boost), a Morley Bad Horsie Wah, and a variety of reverb/delay effects going into two Marshall JCM900 heads.
10.And of course- SLAYER Reign in Blood. My ultimate album of all time. EMG-81 again through Marshall 800 heads and a few mystery preamps. (I've heard a lot of speculation here) Their tone proves what a lot of people forget- you still have to have some mid-range in your guitar tone or your sound will get buried. THE perfect brutal sound!
и еще немного про Морбид Энжел
3 months ago I was on Morbid Angel concert (tourig with Krisiun).....and I had chance to speak with Trey for about 10 minutes about his sound and his rig.
The guy said that real key to his sound is ProCo's Rat distorsion in combination with any tube power amp.........live he used 2 Marshall heads - JCM 800 & 900, 2 Rats in rack + graphic EQ + BBE Sonic Maximiser, some delay& reverbs.........but he said that Rat and any tube Marshall is just enough to get any of his sound right.
Размещение рекламы