Форум гитаристов

Лысый что ли?

Бед бладина подсадил меня, конкретно (или  )

(нажмите чтобы показать/спрятать)

http://youtu.be/TVeGdafISGs

"ho ho...i use a custom made Japanese Fender Stratocaster with a rare locked tuning set up, which is great for downtuning. I use stainless steel strings in conjuction with metal picks/plectrums that give me the required metallicness (literally that is !). I use a normal 4 speaker Marshall Cab but its quite old...the Marshall head i use is very specific, can't get my tone with anything else, it's an ancient Marshall JCM800, and i use specific EQ setttings. I use an old Boss Heavy Metal distortion pedal again with very specific EQ settings (bass 3/4 on,treble 3/4 off) in conjuction with Boss Delay pedal, digital or analog. i generally use the delay as an sound widener; very short delay, lots of signal giving a sharp reverb style attack. I also use the delay in larger repeat settings for certain tracks...sometimes with a Cry Baby Wah Wah pedal, like the guitar break in 'wake' and the last guitar motifs in 'gift from heaven' to use modern GFlesh examples...i sometimes use a Boss pitch shifter pedal as well for split tones ,where i can split a note into 2 creating an nice ugly mesh of tone. Oh yeah, i use the bottom selector on my strat (pick ups that is) the most sharp basically....the other intengral part of my sound is the tuning of course (GFlesh sound in general) which has been for years C sharp..besides the extra tracks on 'streetcleaner' ('tiny tears' etc onwards ,the EP that never was!) where we were at B, but without having a clue how to control the tuning at the time (it was 1989!!) For the new album a lot if not all the material is in B, but this time we've got a fuckin clue, and its clear and brutal.

Trashmet, а культурология - это сложный предмет, чтобы с ним помогать?

... и добавил:

Наденька N, привет, хочешь интересностей тебе на стену вброшу?

Наденька N, да я фигню запостил, прости, я всегда к тебе только за этим заходил, я изменюсь