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"Dog Party" was done with a 35 watt Matchless amp, Celestion Vintage 30's, a Shure 57, and a Tube Screamer. The guitar was a re-issue '57 Strat with Lindy Fralin pickups. Since the guitar tracks were all done in the studio, I didn't get the chance to screw them up at home. I decided at this point that I really liked the good ol' Shure 57 and never went back to the Nuemann. On Tore Down House, I learned that the Matchless was great for that sparkley clean blues thing, but I needed a heavier, more gainy sound for the songs on this record so I bought an old 50 watt plexi Marshall that worked better with distortion pedals than the Matchless. The plexi was used for about half the album. For the rest of the album I used a Custom Audio 3+ preamp with the Boogie 290. I put John Suhr's pickups in my strat, which are warmer and a little darker than the Fralin's. The big mistake (again) on this record was made during overdubbing at home.... My wife wasn't too happy about my abandonment of the speaker attenuation gear but she put up with it, and I was thankful, knowing that really loud guitar in the house has probably been the cause of some divorces. Anyway, I thought I could put the extremely loud speaker cabinet in a small bedroom, but even though the mike was ultra close to the speaker, I learned that the sound of a bad recording room can really ruin the tone. The stuff I recorded at home sounds tanky compared to the studio tracks. Also, there are moments when I had the amp up too loud and those stupid Vintage 30's made their famous double-note sound. My engineering skills were..... well, the word crap comes to mind.
http://www.scotthenderson.net/gear.htm
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