немтца видно))) - bod'yagoo 
Этот jazz у нас "яццем" зовется
amirkhanov, я ооочень много сказок читал, а потом слушая материал, находил явные натяжки сказанного.
Имеющий уши…, умей слышать))) Тенденциозностью многие славятся, но Гилмор просто лабал, а Рогер (тексты его читаем же) на сложноассоциативном уровне живёт, социальщина всякая… да антитрамповость, хотя тот на 90% правее всех правых, уличает Ўотэрса в неискренности… порою 
…А так я хршо кнему отншусь 
DG: I got a production credit, and there's a feeling in some quarters that not everyone got the credit they deserved. Roger has spent too much time trying to denigrate the efforts of myself, Ezrin and just about everyone else. But those who deserved credit got it. Rick was a hired hand for the shows, yes, but he was a full band member for the sessions. Michael [Kamen] or Bob [Ezrin] might've come in and played a few keys if Rick wasn't around, and Freddie Mandell played Hammond on "In The Flesh, Parts 1 and 2", because Rick for some reason wouldn't get his elbow on the keyboards. Jeff Porcaro drummed on "Mother" because it wasn't working with Nick, and Jeff's father, Joe, played snare on "Bring The Boys Back Home". Lee Ritenour played one of the two high strums on "Comfortably Numb" and some rhythm guitar on "Is There Anybody Out There?".
I tried it with ten different leather picks and I just couldn't pick it smoothly enough. I'm not masochistic and sometimes I get a guitar part out of here (points to his heart) that these things (fingers) won't fucking do!
http://www.pink-floyd.org/artint/rc032000.htmIn 1979, he [Lee Ritenour] "was brought in to beef up" one of Pink Floyd's The Wall's heaviest rock numbers, "Run Like Hell".[5] He played "uncredited rhythm guitar" on "One of My Turns".[6][7]
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