Вроде как говорит, что на концертах того времени играл вообще без педалей, используя перегруз своего моденного вдоль и поперек Маршала. Только Telefex как ревер и дилэй, ну и немного для лида (проц штоле такой?). Педали только в студии. Взято отсюда
http://www.dinosaurrockguitar.com/new/node/235Question: When you went to the stereo Marshall, what effects were you running on that rig to get the sound heard on The Final Chapter?
Wolf: Nothing, really.
Question: Isn't there a little chorus on there?
Wolf: That might have been added in the studio. No, I never ran . . . . I mean my basic guitar sound for the most part didn't have any effect on it.
Question: Well it definitely sounds different when you went to that stereo Marshall rig.
Wolf: Could have been that they added something in the studio.
Question: On both Death Row and The Final Chapter?
Wolf: Yeah, they probably did.
Question: So you didn't have an effects rack?
Wolf: No, not in those days. Of course I always had some sort of effect for when I played a lead — for those special effects. But I never ran any effects full-time. I had a Telefex — that's what I used for leads, mostly. It had reverb and delay. It was one of those multi-things you can program.
Question: What is the effect being used to create that raunchy sound used on the intro of Neon Nights?
Wolf: We always used to call that sound the vomiting cow. It's a Morley Wah, a Mu-tron Octave Divider, a flanger, and maybe an overdrive. Three or four pedals at the same time.
Question: There was a similar type of effect on Protectors of Terror?
Wolf: Probably, yeah. I used the same sound occasionally. I tried not to use it too many times. I was very characteristic. I used it on Classical too.
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