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на концерте последнем в Москве тот же треклист был

Part of the problem I had with Peavey is that after the amp initially came out, the changes that I wanted to see made to the amp were way too slow in coming. During the production of the Chickenfoot album we were working on a 50-watt head, and there was just no progress. It was grinding to a halt and I was wondering, “What is going on with you guys? How come there isn’t an engineer working on this stuff for me?”

If an artist is going to endorse a product, they have to get support from the company. If they don’t, then they give up too much by always having to play this thing that their name and face are attached to. Peavey makes a lot of great things, but at the time it seemed like the engineer they had was not really responding to me or the other artists enough. I either needed to not be endorsed by somebody, or go to a company where they really did want to help me out quickly, and make changes as changes were needed.