Форум гитаристов

Автор оригинала whammy
Столько поклонников King Crimson, но никто так и не намекнул даже в ответ на вопрос, который я тут задавал:

http://guitarplayer.ru/showthread.php?s=&threadid=12549

Так и помру в неведении

when using the GR-300's synth capability, Robert had several sound types in his vocuabulary: (1) the "Turkish trumpet" monophonic sound, heard on "Sartori in Tangier," "The Sheltering Sky," and David Sylvian's "Upon This Earth" (a pitch-shifting effect was used to raise the register of his playing a full octave); (2) a muted version of above, perhaps the same sound with less treble, heard in solos on "Heartbeat," "Two Hands," and the Live in Frejus version of "Neal and Jack and Me"; (3) distorted synth sound. Sometimes difficult to discern individual notes when played rapidly, which is why the solos at the end of "Thela Hun Ginjeet" and "Lark's Tongues in Aspic, Part Three" are not as rapid as others; (4) a harmonized synth sound that could be any of the above, but with an added perfect fifth interval...used in the middle section of "The Sheltering Sky," (duet-ing with Adrian) "Thela Hun Ginjeet," (also duet-ing with Adrian) and "Industry" (guess what...duet-ing with Adrian)! .