Форум гитаристов

Класно что ты знаеш ВСЁ про него,а мог бы ссылочки припомнить(ПЛИЗЗЗЗ),если нет тогда такие вопросы:
Знаеш ли ти Всё про Джеймса Рута?
Есть ли в Мика какое либо образование(где он учился играть на гитаре вобщем музики)?
Как ему удалось добится такой техники,скорости игры,короче стать БОГОМ електрухи?

Зараннє БОЛЬШОЕ спасибо.

Вот очень много интервью с Миком. Правда это всё на английском, русских переводов я никогда не видел, а самому мне лень писать перевод.

Посибо тебе большое Ambitot Pu Phang,но чё нибуть есть на руском,просто я ОЧЕНЬ плохо знаю англ.,а перевотчики(програмные) не точно переводят.....

http://www.moltenmetalgod.150m.com/home.htm

Вот. Там, правда, тоже все на английском...
Интервью с Миком на русском были на русских фан-сайтах склепнота.

http://www.moltenmetalgod.150m.com/home.htm
Вот. Там, правда, тоже все на английском...

Всё что я прикрепил как раз с этого сайта

So did he do the whole 'Steve Vai ten-hour practise routine' when he was younger?

"You know, I never really practised - I noodled. I taught myself how to play, and, when I was about 20, I learned a whole bunch of music theory and it just made sense. I took some lessons when I was 13 but didn't really learn anything. You know: 'Here's a minor scale, Aeolian mode.' I mean, what the hell does that mean? It wasn't really explained to me. It took me ten years of playing before I finally figured it out on my own."

Когда вы учились играть на гитаре играли ли вы рутинную 10 часовую практику, как Стив Вай?

"Вы знаете, я никогда понастоящему не практиковался - я балбесничал. Я научил себя играть, и когда мне было около 20, я выучил почти всю музыкальную теорию, и это имело значение. Я брал пару уроков, когда мне было 13, но я так ничему и не научился. Нам объясняли - "Вот минорный лад, эолийская позиция." И что это значит? Этого мне так и не объяснили (имеется ввиду, что он не понял, как с музыкальной точки зрения использовать лады, позиции). Мне понадобилось 10 лет игры на гитаре, что наконец понять, как и зачем всё это использовать."

I've been a big Hendrix fan since I was five or six years old. The when I started playing at ten years old I started listening to [KISS], [Iron Maiden], [Black Sabbath] and [Randy Rhoads]. Then I found thrash metal with bands like [Megadeth], [Metallica], [Anthrax], [Exodus], [Testament], [Flotsam and Jetsam]. At the same time I was also getting into [Satriani]'s early stuff and [Vai] with [Zappa], along with players like [Tony MacAlpine] and [Greg Howe]. I've got almost all the classic era [Shrapnel] stuff (US label which discovered players like Yngwie Malmsteen and Paul Gilbert). It was a great time to get into guitar and there were loads of really able players to check out.

One of the first things I taught myself to play was ,'Master of Puppets'. I was obsessive. If I messed something up, I'd pick up my DOD FX50 overdrive pedal and throw it at my bedroom wall. You need that relentless drive in order to get somewhere as well as have no social life. If you're cool and popular, the guitar won't be your only outlet of expression. I was fine with that as I've never been sociable anyway.

Pick-wise, I use Dunlop Jazz III picks as they have a very positive connection with the strings. I'm also strict about my practising while sitting down *adopts a classical guitar posture*. This way there's no undue stress for your left hand, otherwise if the guitar's on your right leg your torso's twisted, your arm's extended and you have tension in your forearm muscle. Then when standing, the guitar should be at a similar height as if you were sitting down - slinging the guitar around your knees is fine for drop-D, one-finger playing, but if you're into sweep arpeggios, it ain't happening!

Malmsteen's really influenced me. He's one of the most serious guitar players I've ever heard in my entire life. I don't play like him, but I use the same things he uses: major, minor, diminished and harmonic minors. I do lots of sweeps and harmonic minor stuff and you could say *with West Coast accent* 'That sounds like Malmsteen', but then again, everyone who uses sweep-picked minor arpeggios sounds like him!

Two years ago I started buying my old albums on CD and I got [Testament]'s 'New Order'. Alex Skolnick's ([Testament]s early lead guitarist) playing was really on fire. The way he sweeps is similar to me, and I never realized before, I must have subconsciously picked up on it.