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Drop D - D-A-D-G-B-E
Standard tuning but with the 6th string dropped one full step. Utilized by bands and/or artists: Radiohead, Avenged Sevenfold, Arrowmont, Rage Against The Machine, Lordi, Lamb of God, Evanescence, Silverchair, Muse, Helmet, Soundgarden, Rammstein, Fugazi in some songs, Tool in all their albums, Stone Temple Pilots in some songs, Audioslave, Filter, Foo Fighters, Incubus in some songs, Nirvana in some songs, Zakk Wylde in some of his projects, Quicksand, Metallica on their song "All Nightmare Long", and The Beatles on Dear Prudence.
Drop C♯/Drop D♭ - C♯-G♯-C♯-F♯-A♯-D♯ / D♭-A♭-D♭-G♭-B♭-E♭
Same as Drop D, but every string is dropped one half step. Utilized by bands like Acid Bath, Oceana, Alter Bridge, Chevelle (on Sci-Fi Crimes), Of Mice & Men, Deftones (on their Around The Fur album), Disturbed, Puddle of Mudd, Linkin Park, 10 Years, Black Stone Cherry, RED on End of Silence, Nirvana on their In Utero album and System of a Down on their Mezmerize/Hypnotize double album. Also used somewhat on Lamb of God's album Wrath. Avenged Sevenfold used this tuning on songs "Scream" and "Almost Easy". Metallica use this tuning on their song "Minus Human" off S&M.
Drop C tuning (listen)
Drop C - C-G-C-F-A-D
One full step down from Drop D. Utilized by bands like Biffy Clyro, The Ocean Collective in the Heliocentric / Anthropocentric albums, Slo Burn, Bullet For My Valentine, Children Of Bodom, As I Lay Dying, Rammstein, August Burns Red, Mastodon (on some songs), Helmet (since the Size Matters era), System of a Down, Black Stone Cherry, P.O.D., Ill Niño, Killswitch Engage, Deftones (in their album White Pony), Origin, Disturbed, Weissglut, Atreyu, Staind, Breaking Benjamin (on some songs), Mudvayne, Slipknot (on their demo album Mate. Feed. Kill. Repeat.), Metallica on their St. Anger album, Bring Me The Horizon (since Suicide Season), Escape the Fate, and Skillet.
Drop B - B-F♯-B-E-G♯-C♯ / B-G♭-B-E-A♭-D♭
One and one half steps down from Drop D. This tuning is most often used by modern heavymetal musicians. Utilized by bands like Intronaut, Machine Head, Demon Hunter, Skillet, Slipknot, Chevelle, Parkway Drive, Bring Me The Horizon (up until Count Your Blessings), Sevendust, The Devil Wears Prada, Comfort In The End, and Attack Attack!.
Drop A♯/Drop B♭ - A♯-F-A♯-D♯-G-C / B♭-F-B♭-E♭-G-C
Two full steps down from Drop D. Utilized by bands such as Static-X, To Crown A King, Bring Me The Horizon (since Suicide Season), In Flames, Hellyeah, Breaking Benjamin (since Phobia), Parkway Drive, Spineshank, RED, and occasionally Chevelle and Sevendust.
Drop A - A-E-A-D-F♯-B / A-E-A-D-G♭-B
Two and one half steps down from Drop D. This tuning is most often used by death metal or deathcore musicians, such as Suicide Silence or Whitechapel (both use seven-string guitars and tune down the seventh string two half steps). Utilized by bands like Nile, Motograter, Thrice, RED, Ill Niño (on Dead New World) and occasionally Slipknot, Amon Amarth Escape the Fate, and Parkway Drive.
Drop A or D standard variation - A-G-C-F-A-D: Used by Mastodon on most of their first album (Remission) and on some songs on other albums. Also utilized by Periphery on the song Zyglrox. Alter Bridge uses this tuning, but tuned a half-step up (on songs such as "Broken Wings", "Come to Life", "I Know it Hurts", and "All Hope is Gone"). Creed, Architects, and Sevendust all use this tuning tuned a half-step down on their songs "Bread of Shame", "Early Grave", and "Home", respectively.
Drop G♯/Drop A♭ - G♯-D♯-G♯-C♯-F-A♯ / A♭-E♭-A♭-D♭-F-B♭
Three full steps down from Drop D. Utilized by Shinto Katana, Metallica in the song Invisible Kid, Brian "Head" Welch during his solo career and by The Acacia Strain in a number of songs. Staind also uses this tuning, as well as several modified variations of this, such as one in which the 5th string is also dropped.
Drop G - G-D-G-C-E-A
Three and one half steps down from Drop D. Used by Bring Me The Horizon, Attack Attack! in the song AC-130, Baroness, The Acacia Strain, In Flames (in some albums, like Reroute to Remain, specially in the song "Transparent").
Drop F♯/Drop G♭ - F♯-C♯-F♯-B-D♯-G♯ / G♭-D♭-G♭-B-E♭-A♭
Four full steps down from Drop D, or two full steps up from Drop D1. Used by Disfiguring the Goddess. In the recording of Limp Bizkit's song "Nookie", Wes Borland used a custom 4 string baritone guitar tuned F#-F#-B-E.
Drop F - F-C-F-A♯-D-G / F-C-F-B♭-D-G
Four and one half steps down from Drop D, or one and a half steps up from Drop D1.
Drop E - E-B-E-A-C♯-F♯ / E-B-E-A-D♭-G♭/
Five full steps down from Drop D, or one full step up from Drop D1.
Drop D♯/Drop E♭ - D♯-A♯-D♯-G♯-C-F / E♭-B♭-E♭-A♭-C-F
Five and one half steps down from Drop D, or one half step up from Drop D1.
Drop D1 Tuning - D-A-D-G-B-E
Six full steps (one octave) down from Drop D.
Drop C♯/Drop D♭ in standard variation Tuning - C♯-A-D-G-B-E
Standard tuning but with the 6th string lowered one and a half steps. Used on the 1981 song Unchained by Van Halen.
Drop B in standard variation Tuning - B-A-D-G-B-E
Used in the song "Rusty Cage" by Soundgarden, "Gasoline" and "Bring Em Back Alive" by Audioslave and "Prison Sex" by Tool
"Hardcore" Tuning. A tuning primarily used by hardcore and grindcore musicians to create a harsh dissonance by the use of the open semitone interval.
Это только дропы, остальные строи можно посмотреть на сайте википедии, в разделе Guitar Tunings!
Там вся информация о строях и кто в них играет
Источник:
http://en.wikipedia.org/wiki/Guitar_tunings
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