Автор Тема: Басовый усилитель-"голова" Gallien-Krueger mb200 200 Ватт на 4 Ом  (Прочитано 3655 раз)

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Продаю в Москве, только что из США!
Усилитель Gallien-Krueger mb200 -907 грамм, 20х20х4.5 сантиметра - 200 Вт на 4 Ом!

Passive and Active switch
Preamp Gain control
Contour control (on/off button)
Active 4-band tone controls
Balanced XLR DI output jack
State-of-the-art Class-D power amp
Weight-reducing switch-mode power supply
Combination 1⁄4” / Speakon speaker output jacks

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12000 рублей
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« Последнее редактирование: Марта 29, 2011, 07:37:24 от maxisualiy »

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Отзыв об усилителе с сайта www.bassramblings.com (для владеющих английским языком):

Weighing only 2 pounds, yet delivering 200 watts of power at 4 ohms, this little guy gives you a lot of bang for your buck. Packed into 1/2 rack space, it’s stripped down controls are on par with a decent combo amp and include a -10db Switch for Active basses, a Gain Control, Contour On/Off Switch, Treble, Hi-Mid, Low-Mid and Bass EQ Controls. Outputs include a Headphone/ Line Out Jack, an XLR Direct Out and a combination Speakon/ 1/4″ Speaker Output. A 1/8″ Aux Input is also included for monitoring external sources such as an ipod. The Direct Out includes a Pre/Post EQ switch to run your signal dry or with your preferred EQ settings. The Aux In works great, but volume must be controlled via the connected device as there is no volume control for this input on the amp. The Contour Switch basically scoops the mids while boosting the highs and lows, and is either on or off. It’s steel case seems rugged, as one would expect with a GK amp.

For this review I first ran the head through my Avatar 210 NEO, 8 ohm cab, and then through my Ampeg SVT 410HLF, 4 ohm cab. I used 5 different basses to see how each would sound, leaving the amps setting the same for each bass.

My amp settings were as follows:
Active = On
Gain = 10 o’clock
Contour = Off
Treble = 11 o’clock
Hi-Mid = 1 o’clock
Low-Mid = 1 o’clock
Bass = 2 o’clock

Below is my how each bass sounded with each cab:
MIM Fender Jazz Deluxe, pickups blended slightly forward, bass slightly boosted, Treb/Mid flat:

- Avatar 210: Crisp, clean, clear, lots of presence, nice slap tone

- Ampeg 410: Clear, thick tone, like the slap tone better on the 210, definitely more headroom with this cab

Fender American P-Bass with Thomastik Infeld Flats, Volume/Tone full up:

- Avatar 210: Clear even tone, growly with a bite (in a good way)

- Ampeg 410: Sounds like a P should, even sounding across all strings, nice fat P-Bass tone

Fender Mustang, Volume/Tone full up:

- Avatar 210: Boomy lows, bright highs, not liking this combo so much

- Ampeg 410: Nice vintage tone, less boomy, more P like

Lakland 44-01, EQ flat:

- Avatar 210: Active switch is definitely needed for this bass, nice modern tone, clear, good slap tone

- Ampeg 410: Wow! Powerful tone, sounds fantastic, with Contour turned on this combo is slap nirvana

Lakland 55-01, EQ flat:

- Avatar 210: Modern tone, B slightly muddy sounding, E a bit thuddy

- Ampeg 410: Much more depth, clarity, B & E more powerful, warmer, most of the mud & thud are gone

I also had the chance to take GK MB200 out to my last jam session. For these particular sessions we typically run everything, including an electronic drum set, into a computer interface and jam with headphones on. For this jam I took my Fender P-Bass with flats on it and ran it into the MB200 sending my signal post EQ through the Direct out. My bass sounded strong, clear and sat well in the mix. I was very happy with the tone I was getting and will definitely be using this amp in this capacity again.

Well, there it is. My review of the Gallien Krueger MB200 Micro Bass Head. So far I have been very pleased with the tone and versatility of this little amp and look forward to putting it through more thorough paces in the coming months. I have yet to play through it amplified with a live drummer and guitar amps, but am confident that this little amp will hold its own. The way I see it is that this little guy has the best of both worlds, all the features of a nice combo with the versatility of a head/cabinet set up, and at only 2lbs you know you’re not going to hurt your back lugging it to a gig.

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Обзор усилителя от Terry Buddingh

The MB200 is amazingly small; itʼs smaller than many DI boxes, stand-alone preamps and pedals, and itʼs thin enough to easily slip into most gig bag pockets. Weighing a mere 2 pounds, itʼs difficult to imagine a more travel-friendly bass head. Despite its small size, GK still managed to include everything that a gigging bass player needs: thereʼs a -10 dB pad switch to accommodate high-output active basses, an on/off switch for GKʼs classic Contour pre-shape circuit, plus GKʼs legendary 4-band tone control section. The MB200 also has a balanced DI output with Pre/Post EQ selector button, an 1/8” Auxiliary Input for CD, MP3 or other players, and a switchable Line-Out/Headphones jack. The MB200 has a single 1/4” / Speakon combo jack.
It may look tiny, but the MB200 is indeed a serious — and versatile — tone tool. Conservatively rated at 200 watts @ 4 ohms, the MB200 is surprisingly loud, with amazingly strong and weighty low-end response. It looks small, but it sounds massive. The MB200 is bound to find its way into to a wide range of applications. You could use it as a full-featured DI box, enhancing your sound with GKʼs excellent sounding Contour and tone controls, or you could use the Line Out to drive a large power amp when extra volume might be required. Iʼm sure these pint size powerhouses will find their way into guitar, keyboard and other applications as well. Considering its effortless portability, gig-worthy power, potential for adaptability, and affordable price, the MB200 will surely find a place in even the most extensive bass gear arsenals. This is a real no-brainer — everybody should have an MB200.

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До воскресенья снижаю цену - 11000 руб!