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А ты дурачка не включай
он же звезда, и дом у него за мульен долларов на барвихе. тгьновью это небосьhttps://www.youtube.com/watch?v=tRVyA5LrOEA
Открой любой зарубежный форум и ознакомься.
Keep your eye out for the old early 90's Japanese Pros. They are the best guitars Jackson ever built IMO and are the predecessor to what Caparison is now. Even the middle of the road standards in the Professional line are fantastic guitars and they can be had for like $300 in great shape. The Pros can occassionally be found for $600-$700 in great shape and are evrything the USA line is now or better for a fraction of the price.
I bought a `90 Soloist Pro to gig with, and a `93 Dinky XL as a backup. Either of them stand up to the USA equivalents, and my recent DK2Ms are extremely similar to the Dinky XL in most regards.
I have an SL2H and a Japanese SL3. Basically they are both soloists but one from the US and the other Japan. They are both really nice guitars but the USA one sounds a little better and has better hardware. The neck on it is amazing, that guitar plays itself. I've happily gigged and recorded with the Sl3 though, it's a fine guitar too.
I myself have a MIJ Squier JV strat that can contest without any shame a standard american fender strat.
Early 90s Jackson Pros and Charvels (650, 750) were on par with US models.
I actually really don't care for the two Jackson Soloists I've played (SL-3 and SL-1), and the one King V I played and much prefered the RR5.
The old Jackson Japanese Soloist XL's are excellent guitars, nearly indistinguishable from their American Counterparts.
I love the imports and the USA series both. USA just has more features. infact i liked the dkmg over the sl-2.
... и добавил:потому что надо брать рееешкууу, лузеры
когда выставляешь свой бережно хранимый УСА Селест без сколов и царапин за 1600, и тебя еще душит жаба, ведь покупал за 2500!