Форум гитаристов

yem,  ну значит правильно выбрал  

У тебя всё идеально с грифом -это Эрик Джонсон ,что тебе те надписи внутри если он звучит и сделан как надо.

yem,  пилят по всякому, в зависимости от того как закажут пилить и от того как это потом использовать. Специально искал пример того, что в любом случае из бревна можно получить максимум любого распила 

... и добавил:

что мешает леворукому играть на палисандре? 

... и добавил:

По поводу распила есть мнение, что скажете:

Old wives, er, old luthier's tales
The whole quartersawn/flatsawn argument has become written in stone. "Quartersawn is more stable and stiffer than flatsawn." Might have even been said by Moses. True, quartersawn lumber shrinks less from the green state to 7% MC. You can see these figures in just about any wood textbook. But we aren't concerned with this figure unless we are kiln operators. What we are concerned with is the coefficient of dimensional change from say 35% relative humidity to 85% relative humidity (the expected swing of moisture in the air in normal service.) The difference between quartersawn and flatsawn in most species is miniscule, especially in the 1 1/2" to 3" in width we are talking about in a typical bass guitar neck. The string tension pulling the neck upward is far more than the tension spreading the neck sideways with moisture change. Ervin Somogyi in the G.A.L. Quarterly tested spruce braces in flatsawn, riftsawn, and quartersawn configurations. Guess what? The flatsawn braces were the stiffest. An experienced mandolin builder I am acquainted with says he prefers to build his maple backs out of flatsawn maple because it is stiffer and he can work it out thinner. Dave raises a good point of conditioning. If stresses are set in the wood before and during the drying process, they will stay there, by gosh, until high heat and moisture can "reset" the wood. A typical manufacturing nightmare would be to unevenly remove wood from the top and bottom surface (like carving a guitar neck) and have more stress in one side of the piece than the other. Only by careful harvesting of the lumber and adequately conditioning the wood in the kiln or by many years of atmospheric seasoning can you be assured of wood that doesn't have tension set into it. "Quartersawn" is a concept that the public and many instrument builders have latched on to as an indication of quality. There are many ways to make a stew.