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Naturally, bleed-through becomes an issue when recording drums over pre-existing live tracks. “When the guys play downstairs, it's all bleeding and really loud,” confirms Moi. “But when we record it up here, we use a program called Amp Farm from Line 6. We just take a split off of their guitar amps so we can have everything modeled as though they're playing live, but we just sneak an extra cable in there that comes up to the computer. We have the amp-simulator program and record a direct, clean guitar tone — the same with the bass — with no leakage, DI'd into the mixing board and then into the computer, which then processes it. You create the amp sound in the computer and it records it. You can simulate any amp you want [with Amp Farm]. It sounds good. When the drummer re-tracks the drums, he plays to the clean guitar tracks, which don't have any leakage in them, and a click.”